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inauthor: Susan Eilenberg from books.google.com
This book focuses exclusively on the exciting and provocative plays produced in England in the last two decades.
inauthor: Susan Eilenberg from books.google.com
In Conversations on Ethics, Alex Voorhoeve elicits answers to these questions from eleven outstanding philosophers and social scientists: Ken Binmore Philippa Foot Harry Frankfurt Allan Gibbard Daniel Kahneman Frances Kamm Alasdair ...
inauthor: Susan Eilenberg from books.google.com
Beginning with an autobiographical prologue that traces his evolution from religious believer to "heretic," the book touches on theology, organized religion, morality, suffering, and death—all examined from the perspective of a "quest for ...
inauthor: Susan Eilenberg from books.google.com
This beautifully written book offers a new beginning for moral philosophy.
inauthor: Susan Eilenberg from books.google.com
The essays in this volume reflect the increasingly international and pluridisciplinary nature of this scholarship and the widening of the definition of Holocaust literature to include comic books, fiction, film, and poetry, as well as the ...
inauthor: Susan Eilenberg from books.google.com
In this study, first published in 1985, Austin E. Quigley takes as his paradigm case the relationship between the world of the stage and the world of the audience, and explores various modes of communication between domains.
inauthor: Susan Eilenberg from books.google.com
The present volume is the first major collection of essays devoted to Hare, and its editor, Hersh Zeifman, who is a professor at York University, Toronto, is well-qualified to assemble and supervise such a significant undertaking.
inauthor: Susan Eilenberg from books.google.com
Cover -- Half Title Page -- Title Page -- Copyright Page -- Original Title Page -- Original Copyright Page -- Dedication Page -- Contents -- General Editor's Preface -- Prefatory Note -- Part One Data -- 1 Definitions, Statements and ...
inauthor: Susan Eilenberg from books.google.com
The final volume of Christopher Bigsby's critical account of American drama in the twentieth century.