Artists, writers, and filmmakers from Andy Warhol and J. G. Ballard to Alejandro González Iñárritu and Ousmane Sembène have repeatedly used representations of immobilized and crashed cars to wrestle with the conundrums of modernity. ... Google Books
Originally published: August 3, 2010
Author: Karen Redrobe Beckman
An earlier version of chapter 6 appeared in Karen. Beckman's and Jean Ma's edited volume Still Moving: Between. Cinema and Photography (Duke University Press, ...
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In Crash, Karen Beckman argues that representations of the crash parallel the encounter of film with other media, and that these collisions between media offer ...
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Karen Redrobe (formerly Beckman) is the Elliot and Roslyn Jaffe Professor of Film Studies in the Department of the History of Art, and Director of the Program ...
Chicago citation style: Beckman, Karen Redrobe. Crash: Cinema and the Politics of Speed and Stasis . Durham, NC: Duke University Press, 2010. Pdf. https://www.
In Crash , Karen Beckman argues that representations of the crash parallel the encounter of film with other media, and that these collisions between media offer ...
In Crash, Karen Beckman argues that representations of the crash parallel the encounter of film with other media.
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In Crash, Karen Beckman argues that representations of the crash parallel the encounter of film with other media, and that these collisions between media offer ...
Argues that representations of the car crash in film genres from slapstick comedies to industrial-safety movies parallels the collision of film and other media.
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In Crash, Karen Beckman argues that representations of the crash parallel the encounter of film with other media, and that these collisions between media offer ...
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